Por favor, use este identificador para citar o enlazar a este item:
http://hdl.handle.net/10261/75090
COMPARTIR / EXPORTAR:
SHARE CORE BASE | |
Visualizar otros formatos: MARC | Dublin Core | RDF | ORE | MODS | METS | DIDL | DATACITE | |
Título: | Portable XRF study of pigments applied in Juan Hispalense's 15th century panel painting |
Autor: | Križnar, Anabelle CSIC ORCID; Muñoz, M. V.; Paz, F. de la; Respaldiza, M. A. CSIC ORCID; Vega, Mercedes | Fecha de publicación: | 2011 | Editor: | John Wiley & Sons | Citación: | X-Ray Spectrometry 40(2): 96-100 (2011) | Resumen: | Several medieval paintings and polychrome sculptures have been analysed in the frame of a collaboration between the Fine Arts Museum of Seville and the National Centre of Accelerators, dedicated to a non-destructive study of artworks that belong to the wide museum’s collection. Among the oldest artworks in the collection is the panel painting Archangel St. Michael attributed to Juan Hispalense, one of the first painters in the 15th-century Seville known by name. The panel was analysed by a portable X-ray fluorescence (XRF) to get more information about the pigments applied and to identify possible later interventions. The results showed that the pigments were those commonly used in that period. Lead white was found in the preparation of the painting and in colour layers. For yellow colour, yellow ochre was used, while for the red one, the painter usually mixed red earth and vermillion. Blue pigment is azurite, while the copper-based green one could not be determined more specifically by XRF. Brown colour is made with yellow ochre and organic black or, in some cases, umbra. Black pigment is probably bone or ivory black. Many decorative parts of the panel are gilded, which were confirmed by Au peaks. Later interventions were carried out on the base of Ti–Zn white mixed with earth pigments, while for green areas such as Archangel's wings also chrome green was applied. The research is part of a larger study which is still going on, whose aim is to gain more knowledge about the 15th- and 16th-century Spanish painting and polychromy. | URI: | http://hdl.handle.net/10261/75090 | DOI: | 10.1002/xrs.1314 | Identificadores: | doi: 10.1002/xrs.1314 issn: 0049-8246 e-issn: 1097-4539 |
Aparece en las colecciones: | (CNA) Artículos |
Ficheros en este ítem:
Fichero | Descripción | Tamaño | Formato | |
---|---|---|---|---|
accesoRestringido.pdf | 15,38 kB | Adobe PDF | Visualizar/Abrir |
CORE Recommender
SCOPUSTM
Citations
13
checked on 09-abr-2024
WEB OF SCIENCETM
Citations
11
checked on 26-feb-2024
Page view(s)
285
checked on 17-abr-2024
Download(s)
98
checked on 17-abr-2024
Google ScholarTM
Check
Altmetric
Altmetric
NOTA: Los ítems de Digital.CSIC están protegidos por copyright, con todos los derechos reservados, a menos que se indique lo contrario.