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dc.contributor.authorKnighton, Tesses_ES
dc.date.accessioned2020-05-07T11:29:18Z-
dc.date.available2020-05-07T11:29:18Z-
dc.date.issued2019-
dc.identifier.citation85th ICREA Colloquium : (2019)es_ES
dc.identifier.urihttp://hdl.handle.net/10261/210743-
dc.description.abstractMusicology is a relatively young discipline, which gained recognition only towards the end of the nineteenth century and a debate over its focus of scientific inquiry has its roots in its early philological roots based on the study of musical sources and concordances. This thread continues within the weave of present-day musicology, intertwined with other strands of pure analysis of musical text from an aesthetic viewpoint and a more contextualised approach addressing broader social and cultural questions which have vied for pre-eminence since the 1970s. The era of the digital humanities has opened up new directions, from big data analysis to neuro-scientific approaches, the impact of which is beginning to make itself felt in the most recent research. In this presentation, we consider the challenge of going beyond musicology to explore performative and dynamic issues of the quintessentially ephemeral art of music-making in the historical past using the technology of the present in order to open the way for a richer understanding of it as an embodied experience.es_ES
dc.language.isoenges_ES
dc.publisherInstitució Catalana de Recerca i Estudis Avançatses_ES
dc.rightsclosedAccesses_ES
dc.subjectMusicologyes_ES
dc.subjectDigital humanitieses_ES
dc.subjectNeuro-scientific approacheses_ES
dc.subjectArt of music-makinges_ES
dc.titleBeyond musicologyes_ES
dc.typecomunicación de congresoes_ES
dc.description.peerreviewedPeer reviewedes_ES
dc.relation.csices_ES
oprm.item.hasRevisionno ko 0 false*
Appears in Collections:(IMF) Comunicaciones congresos
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