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http://hdl.handle.net/10261/200001
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dc.contributor.author | Jasperse, Jitske | - |
dc.date.accessioned | 2020-02-07T11:57:43Z | - |
dc.date.available | 2020-02-07T11:57:43Z | - |
dc.date.issued | 2017 | - |
dc.identifier | doi: http://dx.doi.org/10.1080/03044181.2017.1378918 | - |
dc.identifier | issn: 0304-4181 | - |
dc.identifier.citation | Journal of Medieval History 43(5): 523- 547 (2017) | - |
dc.identifier.uri | http://hdl.handle.net/10261/200001 | - |
dc.description.abstract | The material culture related to Duchess Matilda of Saxony, Queen Leonor of Castile and Countess Joanna of Toulouse (and former Queen of Sicily) offers a rich resource that allows us to understand how, when and why they connected themselves to their father, Henry II of England. The objects studied in this article prompt significant questions regarding the relation between material culture and royal women, which allow us to explore the formative phases in women¿s lives as well as their roles in the promotion and construction of a dynastic consciousness. Even though the sisters probably acted separately, they did so with a shared awareness of their positions as royal daughters and the need to communicate this collectively. By centring on the three sisters¿ objects, this article proposes that the study of material culture is crucial for a better understanding of the co-operation between siblings and can contribute to a more nuanced interpretation of power. | - |
dc.description.sponsorship | I would like to thank Therese Martin, Rachel Q. Welsh, Alissa Theiß and Eduardo Fernández Guerrero – who also kindly improved the translations from the Latin – for their close reading and stimulating comments. This article benefited greatly from the thoughtful critiques made by the two anonymous readers. I am also indebted to Raquel Jaén Glez (Museo de Real Colegiata de San Isidoro, León) for providing access to Leonor’s maniple and stole, to Alfredo Rodríguez González (Archivo Catedral Primada de Toledo) for giving me access to the charter of Leonor and allowing me to take photographs, and to Jean-Luc Chassel (maître de conférences à l’Uuniversité Paris-Nanterre, vice président de la Société française d’héraldique et de sigillographie) for permitting me to use the images of the seals of Marie of Champagne and Constance of France. | - |
dc.language | eng | - |
dc.publisher | Elsevier BV | - |
dc.relation | info:eu-repo/grantAgreement/MINECO/Plan Estatal de Investigación Científica y Técnica y de Innovación 2013-2016/HAR2015–68614–P | - |
dc.relation.isversionof | Postprint | - |
dc.rights | closedAccess | - |
dc.subject | Plantagenet | - |
dc.subject | Matilda | - |
dc.subject | Leonor | - |
dc.subject | Joanna | - |
dc.subject | Filia regis | - |
dc.subject | Henry II of England | - |
dc.subject | Material culture | - |
dc.subject | Art | - |
dc.title | Matilda, Leonor and Joanna: the Plantagenet sisters and the display of dynastic connections through material culture | - |
dc.type | artículo | - |
dc.identifier.doi | 10.1080/03044181.2017.1378918 | - |
dc.date.updated | 2020-02-07T11:57:43Z | - |
dc.contributor.funder | Ministerio de Economía, Industria y Competitividad (España) | - |
dc.relation.csic | Sí | - |
dc.identifier.funder | http://dx.doi.org/10.13039/501100010198 | es_ES |
local.message.claim | 2023-06-01T14:15:25.134+0200|||rp14923|||submit_approve|||dc_contributor_author|||None | * |
dc.type.coar | http://purl.org/coar/resource_type/c_6501 | es_ES |
item.fulltext | No Fulltext | - |
item.openairecristype | http://purl.org/coar/resource_type/c_18cf | - |
item.cerifentitytype | Publications | - |
item.grantfulltext | none | - |
item.openairetype | artículo | - |
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