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Silent Music. Medieval Song and the Construction of History in Eighteenth-Century Spain [Reseña bibliográfica]

AutorKnighton, Tess
Fecha de publicación2012
EditorForum for Medieval and Renaissance Studies in Ireland
CitaciónÓenach: Journal of the Forum for Medieval and Renaissance Studies in Ireland (4/1) : 37-43 (2012)
ResumenThe historiography of music in Spain — or more accurately, given the date of this manuscript, the Spanish kingdoms — has begun to gather momentum of late. Recent studies by Juan José Carreras, Xoan Carreira, Pilar Ramos, Emilio Ros-Fábregas and others have started to explore and unpick the narrative thread of Spanish music history, focusing primarily on late nineteenth- and early twentieth-century music historians and writers in a reassessment of the intellectual drive and the social tensions that informed and influenced their work. One strand in particular is relevant to Boynton’s study: the revisiting of the musical past to forge a sense of cultural identity. As Carreras has shown, much of the research undertaken by Higinio Anglés (1888–1969) — who can perhaps be considered to be the first professionally trained Spanish musicologist, and certainly the first to be taken seriously at an international level — was propelled by the desire to discover and communicate to the musicological world at large the glories of Spain’s musical heritage.
DescripciónReseña de: Susan Boynton, Silent Music. Medieval Song and the Construction of History in Eighteenth-Century Spain. New York: Oxford University Press, 2011. 240 pp. ISBN: 978-0-19-975459-5
Versión del editorhttp://oenach.files.wordpress.com/2012/06/knighton_boynton1.pdf
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